The
Mexican loop style knife sheath was very popular
in
the Southwest US during the late frontier era post
1875 or so. One reason is the large loop allowed
it to be
carried on the cartridge belts of the period. The inspiration
for my pattern came from the original carried by
Texas
Ranger, Bill McDonald (1852-1918), which is pictured
below.

I adapted the style to hang lower on the belt and to
eliminate the center front seam. The McDonald original
was made of one piece of leather just like Mexican Loop
Holsters of the period.
For the slotted loop style
my construction uses four pieces: The face, the welt,
the back, and the loop/skirt. When making the arched
face there is a fifth piece - the welt wedge, and if
making the riveted loop, a sixth piece - the loop itself
is needed.
I
recommend using 7/8oz veg-tan. Heavier leather makes
it difficult to form
the loop around the body. If you have a very large
knife (10" or larger blade) I would recommend
making the riveted loop style out of 9/10oz for the
body and
skirt and 6/7oz for the loop itself.
This style sheath is actually
quite easy to make and I will try to explain my procedures
so even a newbie should be able to figure out how to
to do it. If you have any questions contact me at chuck@wrtcleather.com
PLEASE READ THE ENTIRE TUTORIAL BEFORE MAKING THIS SHEATH
The main part of this tutorial will refer to making
the simplest style, straight throat, slotted and smooth
edge skirt.
I will add notes to explain the procedures for making
the variant styles.
The face, back, and welt are based on the same pattern
(except as noted for the arched throat in the Cales
image) so there really are only two pattern pieces needed
as pictured here.
To make a pattern for your knife adapt the above. I
use manila file folders to make patterns with. First
I lay the blade on a piece with the crossguard presses
against one edge. Take a compass and spread the legs
apart 3/8". Draw an outline with the compass all
the way around your blade, making sure you maintain
the 3/8" - i.e don't cant the compass as you move
it.. As an alternative, draw around the blade with a
pencil and then using a ruler mark an outline 3/8"
around the blades actual outline. I often reshape the
tip of the sheath a bit as sometimes the 3/8" outline
ends too abruptly and just isn't graceful to my eye.
Check again and again to make sure everything is fitting
right and then use a knife and carefully cut your face
pattern.
HINT #1: When transferring
your pattern to leather, use a red roller tip pen if
you are going to dye the item brown. If the item is
to be dyed black then use a black roller tip. If you
are putting a natural finish on your sheath use a soft
lead pencil. After drawing the pattern onto the face
side lightly dampen the area with a sponge and allow
the color to return to almost normal. Use a sharp utility
knife and cut your item out. When possible use a straight
edge.
SECTION 1:
Cut your face piece first before laying out anything
else. Smooth and even the two sides (I use a small
4"
x 36" belt sander). Use your stitch groover and
mark around all three edges. Around the top edge the
groove appears as a border. If you're going to tool
it, now is the time, although a simple impressed single
or double straight border just inside your stitch line
can be very nice. Simple yet elegant. To make it, dampen
the face and use a pair of dividers to impress the
lines.
VARIATION 1: Arched face at mouth. This entails more
work, including an extra part than the straight cut
mouth. If you want to give this a go make your pattern
as shown. If the guard is more than 1/4" wide
on each side of the blade I recommend not to use this
style
as proper fitting can be a nightmare.
SECTION 2:
Next I cut out my back piece using the face as a pattern.
Make sure you lay the two pieces smooth side to smooth
side and then draw the outline of the face piece onto
your leather for the back. Again dampen your leather
and when it's ready cut out the back piece. I carefully
cut about 1/16" to 1/8" outside of the line.
This leaves me a little room to work with when lining
it up to the front.
SECTION 3:
Next I cut my welt out. I like to fit my sheaths to
the blades and the welt is the most important part of
that procedure. Normally I use a piece of leather that
is approximately 3/4 the thickness of the blades spine,
a dimension that works 99% of the time. I have several
weights of leather on hand, but if you only have one
weight on hand you can thin a thicker piece by sanding
on the belt sander or by skiving with a knife. I skive
and then smooth out any ripples with the sander. This
can be done after the welt is glued to the back piece.
Of course if it needs to be thicker (unusual) you can
glue two pieces together and then skive/sand to fit.
To
make the welt I lay my back piece on the leather
for the welt and draw around
it. Now lay your blade onto the uncut welt and draw
an outline of it on the leather, making sure you
maintain
the 3/8"+ all the way around between the edge
and the face outline.
IMPORTANT:
If the blade has a belly, such as on some of the
big Bowies, you
will have to make the mouth of the welt as wide as
the widest part of the blade. Trying to fit a 2" wide
section of blade through a 1 1/2" gap just doesn't
work!
Again dampen your leather
and when it's ready to work as described above, cut
the section out to the INSIDE of the blade's outline.
This is where your blade will fit.
Now lay the blade on the
flesh side of the back piece and draw an outline of
the blade onto the back. Next contact cement the welt
to the back making sure that the inside edge of the
welt is up against the blades outline.
HINT #2: To make sure
the welt follows the blades outline as closely as possible
(with the same caveat as above regarding blade shape)
I glue the spine side down and then fit the welt snug
up against the edge and glue it down.
Before proceeding trim
away the excess welt material.
SECTION 4:
My idea of a good fit is when you can turn a sheath
upside down and the knife won't slide out, yet at the
same time it should not hang up in the sheath when being
drawn. This can be a painstaking process of trying and
fitting until gotten right. To get a good fit of blade
to sheath I do the following:
I skive/sand the side
of the welt along the sharp edge of the blade and the
false edge if there is one
until the welt is between 3/32" to 1/16'" thick
depending on your blade.
(For those who folks who
are at this point thinking I'm crazy, proof is in the
pudding - I have done it this way for at least 25 years
and have NEVER once had a blade cut through the welt.
If you're not comfortable with this method then skip
this step and go on to the next section.)
Work SLOWLY! To
test the fit, RUBBER CEMENT the front and back together
and use a couple of small clamps close to the mouth
to keep it snug there. If the blade is too loose pull
the front and back apart apart (the reason for rubber
cement and not contact cement) and skive/sand some
more.
If the blade has a false edge or is double edged (the
hardest to get a good fit) I also trim the welt along
that edge. The object is to have the leather along
the
face and back contact as much of the blade as possible.
This gives it the proper tension for gripping the blade
properly. If the blade has a ricasso you of course
have
to leave the welt the correct thickness and the welt
will then be tapered along it's length from tapered
grip to point, in other words a distal taper. Once
I
get a good blade fit I trim the back and welt to match
the front. You don't need to final trim the sides at
this point as that will be done after sewing the front
and back together. But you do need to trim not only
the sides, but the mouth as well and this is easily
done on the belt sander - just GO SLOW! If you take
too much off, the blade won't fit all the way into
the
sheath. It can be fixed by pulling apart the front
and back and carefully carving the welt away, but it's
better
not to. After sanding the mouth edges even, I take
an edge tool and trim the fuzz off the inside edge
of the
mouth.
To
continue this tutorial click here.
.